Tag Archives: virtuoso

CD – Three Sonatinas for Contrabass

Patrick Neher and Martin Kennedy have just released a new CD album of Neher’s three Sonatinas for Contrabass. This 52 minute album was recorded the second week of March, 2024, and is a sort-of “House Concert.” No AI here! This performance is minimally edited and has the energy (and full-blown human character, sounds, and technical problems) of a live performance! For students of composition and of contrabass, this recording presents a good example of contemporary counterpoint, rhythmical and expressive playing, combined with lyrical, sensitive, and accessible harmonies. Frankly, you have never heard bass playing, nor piano playing like this!!

Martin Kennedy is a well-known and prize winning composer as well as celebrated collaborative and solo concert artist. Patrick Neher, now retired, has traveled the world as a soloist, but is also known for his compositions for modern dance, film, orchestra, and chamber music that features the double bass in prominent roles. Together, these two Juilliard-trained professionals have created a unique and formidable concert CD, that can easily be a reference for virtuosity in performance as well as music composition. This CD is also available by usb2 thumb-drive (no cover art, no “record jacket”).

Soon available on ISG Music’s CD pages.

Swing Set for Contrabass (2021)

ISG Publications is please to announce the new release of Patrick Neher’s concert etude, Swing Set for Contrabass. As part of our Virtuoso Creation series and our Premiere Pedagogy series, these challenging set of four lyrical etudes can be performed as a short (about 07:00 minutes) concert solo, or can be part of your daily study to facilitate both your technique and musical interpretation skills. There are some “extended techniques” required of the piece, including some humming/singing in pitch.

Patrick Neher’s new piece, Swing Set for Contrabass, is a lyrical and dynamic solo work that can be a wonderful addition to any bass player’s library, but a professional level of performance is required.

Purchase Swing Set for Contrabass on our contrabass page or our pedagogy page.

Concerto in D for Viola and Contrabass

Written for and to honor the accomplished career of Scott Slapin, violist, ISG Publications is pleased to announce the New Release of Patrick Neher’s stunningly virtuosic, yet accessible, Concerto in D for Viola and Contrabass with String Orchestra (or Piano). This new concerto for a moderately rare combination of instruments (viola and contrabass duet), is now available in two versions: full orchestra score with soloists and string parts by rental or purchase, and solo parts with piano reduction (see either our viola repertory page or contrabass repertory page). Both the orchestra and piano versions come with a demo recording performed by Scott Slapin, viola, and Patrick Neher, contrabass, with the Bellingham Technical Orchestra strings backing them up.

The piece is playful and energetic with three moderately quick movements, totaling approx. 18 minutes. The level of playing ability required is definitely “Professional” but is a good goal for anyone studying to be a solo violist or bassist (The contrabass part is in regular orchestral tuning. The composer does not recommend solo tuning for this piece, as the harmonic series of the regular open strings is utilized to its potential). Mvt 1 demo. Mvt 2 demo. Mvt 3 demo.

The demo recording can be obtained, gratis, by making an inquiry via our contact page. It will be sent to you via reduced fidelity mp3. Or you can receive a full-fidelity CD in the mail (USA only).

A welcome piece to the viola and bass duet repertory, Patrick Neher’s Concerto in D is an adventurous but enjoyable and rewarding composition with innovative musical development; a truly lyrical modern composition.

New Release – Prokofieff Ballade op.15 for Contrabass and Piano

Prokofieff - Ballade, op. 15 for contrabass and piano
Prokofieff – Ballade, op.15 for Contrabass and Piano (ISG Publications, 2022)

As part of our Virtuoso Performer Series, ISG Publications is please to release Serge Prokovieff’s spirited and contemporary Ballade, op. 15, recently edited and transcribed for contrabass by Patrick Neher. Ballade was originally composed for cello and piano, but the composition lays well on the contrabass and has many “bass-like” characteristics. Patrick Neher has always been inspired by Prokofieff’s music, and Ballade is one of those pieces that is “perfect for the bass,” so he edited and arranged the work for contrabass. This unique publication is an excellent vehicle for a bassist and pianist to explore a wide range of potential expression and emotions. Certainly a “tour de force” work for the pianist, the composition is also complex enough for the bassist to provide years of challenge!

Dedicated to Nikolai Pavlovich Ruzsky, Serge Prokofieff wrote Ballade for Cello and Piano in 1912, and yet it still sounds contemporary, as if written just yesterday! It has a freshness that is timeless. The work is especially challenging for pianists. Clearly Prokofieff’s technique of playing the piano is well on display in this piece, requiring substantial “extended” techniques that even the most accomplished pianists will have to develop to play the work’s emotional content as intended.

Ballade was first performed in Moscow, February 1914, by Prokofieff, with cellist, Yevsey Belousov. The first publication of the work was in 1915 by publisher, J. Jurgenson. This new edition comes with the piano score spiral bound and the contrabass part staple bound. A PDF version is in the works. Purchase the sheet music on ISG Publication’s contrabass solos page.

Bottesini Melodia #2 and Introduction & Gavotte – Second Editions

Bottesini’s lovely Melodia #2 for Contrabass and Piano (ISG ©1999) has been reissued. The Second Edition of Melodia #2 includes both piano parts for the contrabass in orchestral and solo tuning, and is carefully edited to reflect Patrick Neher’s concert recording of the work. This re-issue is in beautiful print and on standard concert folio sized archival paper. A PDF version is in the works.

And ISG has reissued Bottesini’s Introduction and Gavotte. The Second Edition provides this popular work with both solo tuning and orchestra tuning piano parts. Carefully edited, this edition is a reflection of the recordings and live performances of Patrick Neher.

Purchase the Second Edition of Bottesini Melodia #2 and Bottesini’s Introduction and Gavotte from ISG’s contrabass solos page.

Luigi Negri – Romantic Pieces, Second Edition

ISG Publications is pleased to release the Second Edition of Five Romantic Pieces for Contrabass and Piano by Luigi Negri (written circa 1885). These popular pieces, originally and exclusively published by ISG Publications in 2005, and edited by Remo Ricci, have had a face-lift, with a new cover and spiral bound piano part (piano part available for contrabass in orchestral or solo tuning), for easier placement on the piano music stand. In addition, the pages are now the Euro-standard size of 9″ x 12″ (verses our FIrst Edition 10″ x 13″) again, making the sheet music a bit less cumbersome, and easier for us to produce the covers in full color! Both parts have the original title pages reproduced so that the players can be inspired by the hand-written title pages of the 19th century! One final upgrade, all five pieces of Luigi Negri are available in one album. Purchase of the individual pieces will be available until stock is exhausted. After that, only the album of five pieces will be available.

Much like the music of Giovanni Bottesini, Luigi Negri also adapted many opera tunes of his day, for contrabass. Negri was a student of the same teacher as Bottesini, and was well known in his time for his virtuoso performances and inspiration teaching. For many bassists, the music of Negri is more accessible and welcome diversion from that of Bottesini.

ISG Publications is the sole world-wide publisher of these five romantic pieces: Capriccio “Rigoletto”, Fantasia “Sonnambula”, Capriccio “Alisir d’Amore”, Fantasia “Poliuto”, and Reminiscenze “Stabat Mater” (original vocal works by Donizetti, Bellini, Verdi, and Rossini)

For Purchase go to the Contrabass Solos page of ISG Publications

Findeisen “Nixenreigen Fantasie”

Theodor Albin Findeisen (1881-1936) wrote Nixenreigen Fantasie, for double bass and piano, around 191Findeisen-Portrait0-1912, and the work is his Opus 9. Dr. Robert Matheson, bassist, composer, arranger, and professor has brought this and other works of Findeisen to light in his doctoral thesis.  Dr. Matheson has chosen ISG Publications to disseminate Findeisen’s compositions, that have been out of print or were never published.

Findeisen’s music represents the only compositions for solo double bass from the early twentieth century’s compositional style akin to Richard Strauss or early  Schoenberg. It is rich, full, romantic, and challenging, with full use of chromaticism and counterpoint.

“Nixenreigen” is based on a poem that tells of a musician’s walk home one night through the woods, when met by fairies frolicking about and dancing to his music. To have the double bass play the lead role in this story is quite a feat in itself. The entire range of the instrument is utilized in the composition, and even though the lyricism is beautiful, it is a wonderful technical challenge for any student or professional bassist.

ISG Publications is proud to present this newly published composition.