ISG Publications has just released a new definitive edition of the popular Rossini – Duetto for cello and contrabass. Duetto per violoncello e contrabbasso by Gioachino Rossini gets special treatment in this new professional players’ edition. The bass and cello parts have been carefully edited for performance by Prof. Patrick Neher. The composition has been arranged for stellar professional players’ performance, by extending the instruments’ ranges, while enhancing the lyrical and humorous qualities inherent in the commissioned composition.
Rossini Duetto for cello and contrabass is a new addition to our Exclusive Chamber Music Series, and is available now. It is beautifully printed sheet music, that has concert-ready, intelligently spaced page turns, and is accompanied by a full-sized readable score. The work is also available in PDF for performance with tablets.
Do you want to play the bass really, really well? Are you frustrated with attitudes that make playing the bass difficult? Well, we introduce a simpler, quicker way to learn the double bass: Patrick Neher’s new ColorPoz Method for Contrabassin two volumes is now available. These unique method utilizes colored note heads to designate position and string. Truly the first of its kind, ColorPoz will have you playing in all positions, knowing every pitch on the bass, in “no time!!”
The first book of ColorPoz Method for Contrabass includes studies for 1/2, first, second, and third positions, with an added variation of extended-third. The second book of ColorPoz Method for Contrabass covers positions 4, 4-extended, 5 and 6 (numbering of positions pioneered by François Rabbath). Student and teacher feedback indicates that the colored note head system facilitates their learning of the pitches in every position much better than by the traditional method of indicating position and string with text (i.e. “I, II, III, etc” and “G, D, A, E”). The goal is to learn all the notes and positions, then it is easier to focus on being expressive with the bow and sound control. Though ColorPoz Method for Contrabass focuses on left hand technique and progressively learning the pitches in every position, the method also provides thorough study for all aspects of bass playing, and facilitates development of acute mental-mapping of the fingerboard. ColorPoz Method also provides critical studies that develop pivoting (pivot fingering), with photos and video links.
Book Two example pages
ColorPoz Method for Contrabass is edited by Cielito De Jesus and the techniques taught have received accolades from numerous, prominent teachers of double bass. Now available, Book One is $22 and includes textual instruction, 39 photographs, 12 etudes, and 2 divertimenti. Book 2 is $28 and includes textual instruction, 12 etudes and 1 concert caprice. Both books purchased together are discounted to $45. A web site of videos for every exercise and numerous supplemental videos is provided with free and unlimited access.
Please share your comments about studying ColorPoz Method with Patrick Neher at his web site (patrickneher.com) or use our contact page.
Theodor Albin Findeisen (1881-1936) wrote Nixenreigen Fantasie, for double bass and piano, around 1910-1912, and the work is his Opus 9. Dr. Robert Matheson, bassist, composer, arranger, and professor has brought this and other works of Findeisen to light in his doctoral thesis. Dr. Matheson has chosen ISG Publications to disseminate Findeisen’s compositions, that have been out of print or were never published.
Findeisen’s music represents the only compositions for solo double bass from the early twentieth century’s compositional style akin to Richard Strauss or early Schoenberg. It is rich, full, romantic, and challenging, with full use of chromaticism and counterpoint.
“Nixenreigen” is based on a poem that tells of a musician’s walk home one night through the woods, when met by fairies frolicking about and dancing to his music. To have the double bass play the lead role in this story is quite a feat in itself. The entire range of the instrument is utilized in the composition, and even though the lyricism is beautiful, it is a wonderful technical challenge for any student or professional bassist.
ISG Publications is proud to present this newly published composition.
