Patrick Neher’s latest composition, AgroDolces for piano trio (violin, cello, and piano) is an exciting concert work that explores various ways to define and interpret music, including the feelings of “sweet and sour,” playful and forceful, lyrical and punctual. This virtuoso work was written for Nancy Bean, former Assistant Concertmaster of the Philadelphia Orchestra, and Lloyd Smith, cellist, also formerly with the Philadelphia Orchestra; and it is in four movements: Happy, Bossa, Sara (Andante), and Allegro e giocosa
Purchase this romantic concert work, AgroDolces trio, on ISG’s violin page, cello page, or piano page. The composition will also, soon, be available in PDF format for tablets. Check out our page of sheet music available to download.
Aleksandr Borodin‘s lovely (no longer “unfinished”) Grand Trio in G Major for two violins and cello (circa 1860), has just been completed andrealized this New Year by Patrick Neher. Neher’s compositional addition to the Trio includes a Minuet and Finale, as third and forth movements, making the Trio completed, accessible, and performable!
ISG Publications / ISG Music Promotions has carefully edited and reissued the four movement composition in a clear, easily readable concert score and archival-quality parts format. The parts have sensible page turns ready for your performance (unlike other versions, where three or more pages are required to be spread way out across the stands – ach!). This new publication is also available by PDF for tablets (parts only). The new Grand Trio in G Major is a welcome addition to the two violin and cello repertory, with a performance time of about 27 minutes.
The cello part has been newly revised and edited by Lloyd Smith, formerly with the Philadelphia Orchestra. The violin parts have been edited by Nancy Bean, also a former member of the Philadelphia Orchestra. And, for virtuoso double bass players, ISG Publications has produced a specially edited and transposed contrabass part.
This Special Edition is NOW AVAILABLE for purchase. Purchase the Trio on ISG Publications’ sheet music for violin or music for cello pages. The contrabass alternative to cello, is available (with the complete Trio) on our Contrabass in Ensembles page. PDF license with all Trio parts, but no score, will be available on the Downloadable page (coming soon).
ISG Publications is honored to present and to release a fabulous re-visioning of one of the most important staples of the violin repertory; Mark Rush’s new book, Carl Flesch Distilled, A User-Friendly Approach to the Flesch Scale System. This is the first violin pedagogy title in our Premiere Pedagogy Series.
Mark Rush has a distinguished career as a professor of violin and chamber music, an internationally traveled performer, and a recording artist with numerous albums. His new book is an innovative detail yet simplification of the Flesch Scale System, and focuses on the essence of this system to make scale study for violinists much more productive and less tedious. This is a superb practice book to reside on every violinist’s music stand. Available in PDF also, for tablets. Read Stephen Brivati’s review of Carl Flesch Distilled on Violinist.com. Read Mark Rush’s article on the creation of Carl Flesch Distilled on Violinist.com.
With accolades from professional and amateur violinists alike, here are what just a few celebrated performers are saying about Mark Rush’s new book: “I thoroughly enjoyed this well conceived and beautifully executed re-imagining of one of the essential building blocks of violin technique. I look forward to sharing this with my students and also working on it myself as well. Bravo!” ~ Steven Moeckel, Concert Master, Phoenix Symphony, Santa Fe Opera
“Carl Flesch Distilled is a welcome addition to the library of violin technical studies. Mark Rush has taken the Flesch Scale System and simplified the format into a logical visual and theoretical sequence easily understood by students.” ~ Mimi Zweig, Professor, Jacobs School of Music, Indiana University
“… a fresh and imaginative presentation of the Carl Flesch Scale System that makes the benefits of this classic fully accessible to any violinist.” ~ Kevin Lawrence, Professor, University of North Carolina School of the Arts, Artistic Director, Green Mountain Chamber Music Festival
“The Flesch scale system has been a go-to resource for violin teachers for almost 100 years. Professor Rush introduces scale practice in a more gradual way, and his ideas on fingerings help with the process of memorization and gaining confidence with intonation. I highly recommend this volume for any teacher… or for students who have been frustrated with the complexity of the original.” ~ Charles Wetherbee, Associate Professor of Violin, Colorado University – Boulder
“Mark Rush has taken the beloved Carl Flesch Scale System and has reverently preserved its most essential core, while providing wonderfully clear and helpful additions; perfect for students of all levels, making this classic book more approachable and useable for everyone. What a great idea, wonderfully executed!” ~ Lina Bahn, Associate Professor of Violin, Thornton School of Music, Univ. of Southern California
“What a pleasure to see this valuable contribution to the pedagogical literature which is exactly what it advertises: distilled, thoughtful, and above all, accessible, while retaining the original inspiration and intent of Carl Flesch. Well done, indeed!” ~ Paul Kantor, Professor of Violin, Shepard School of Music, Rice University
Now Available is the Second Edition of Patrick Neher’s 2016 composition, AFTER EVERY MAN for clarinet, violin, contrabass, and piano. This six movement piece is subtitled “Theatrical Scenes” and is a 27 minute drama describing human emotional terraces. Any one movement can be performed separately but is intended to be together as a whole, dramatic performance. Via the composition, the composer attempts to musically describe and connect the audience with numerous states of deep contemplation and emotion that many humans go through in their life, from “contentment” to “absolution.” Influences of Shostokovich, Stravinsky, and jazz are apparent.
Patrick Neher says; “The piece announced itself, and I heard the themes in a very vivid dream that I had one night in the Spring of 2016. I awoke and wrote down the themes as fast as possible!”
The piece is available with full piano score, clarinet, violin and contrabass parts. See the Contrabass in Chamber Music page for purchase.
The third composition in our new performance music series, Continually Advancing Music (CAM) is Affinità Ferosse for Piano Trio by young Italian composer Michele Bernabei. Affinitá ferrose is loosely translated into English as “an affinity for iron” or “magnetic attraction.” The music is energetic and very dynamic with challenge of a moderate nature for all instruments. Some “extended techniques” are used, but in general it is the interesting rhythms, dynamic range, pitch range, and counterpoint that the listener will find compelling and attractive (just like iron to a magnet)! The piece is not very long and the composer states that it’s drama fits well at the end of a contemporary music performance, as the finale or as an encore. ISG Publications is excited to publish the work as a wonderful new addition to the piano trio repertory.
Michele Bernabei is an accomplished jazz trumpet player and composer. He earned a BM in trumpet at the Conservatory “N.Paganini” of Genoa and an MM degree with full marks in jazz arranging and composition at the Conservatory “G. Verdi” of Turin, Italy. He studied composition at the Conservatory of Turin with Giorgio Colombo Taccani and in parallel at the “Scuola di Alto Perfezionamento Musicale” of Fiesole with Fabio Vacchi. At the same time he received the ABRSM diploma in String Orchestra Direction under the guidance of Fabrizio Dorsi. His compositional language is influenced both by jazz, improvised music, and the theater.
Patrick Neher wrote Two Arias for String Orchestra in memory of Vincent Lionti, who died of Covid19. Vincent was a wonderful violist and conductor, so as a tribute, this composition has many viola solos accompanied by bass solos.
The piece is orchestrated for full string orchestra, with very few divisi in violins primarily. There are violin, viola, cello and bass solos (played by first desk principal) that are integral to the composition. But the piece could be played by string quintet.
Two Arias (Elegy and Homage) is about 14 minutes long. You can purchase the score and parts on the symphonic page at ISG Publications.
Randall Snyder’s new compositions, Forest Paths for Piano Trio, recently publish under our Continually Advancing Music Series (CAM) is an exciting addition to the repertory. The work is a set of contrasting expressions that create a “Nature” or “Garden” (Japanese-music influenced) feeling in the listener.
This short lyrical work was influenced by traditional Japanese music. Mr. Snyder says: “Forest Paths was inspired by my friendship with master Shakuhachi player, Yoshio Kurahashi. … The evolving form follows the Rokudan – a suite of connected sections, each becoming more rhythmically active, before a return to the quiet of the beginning.“ See more about Randall Snyder on our Composers Page. Score and Parts Purchase the sheet music here.
Richard Heller’s work, Statement for String Trio, is the fifth work in our new series of publications, Continually Advancing Music.
This older composition (1977) is for the first time published in the United States, and explores the entire range of each instrument. The short work (under 5 minutes) is virtuosic and has an extended solo for the viola. Though tradition in its form, it is an energetic and intimate “conversation” among the instruments.
Richard Heller (Austrian born living in Germany), born in 1954, has received numerous accolades for his compositions, and has been performed around the world. It is Richard Heller’s aim to balance emotion and construction in his works. He describes the; “starting point for composing is mostly the imagination of instrumental colors (therefore the sense for rare combinations) leading to motif materials which in their turn lead to the architecture of the pieces.” See more at richard-heller.eu
Purchase Richard Heller’s Statement for String Trio on our Violin, Viola, or Cello page.
The second new composition in our Continually Advancing Music Series; Froggy, Froggy for Piano Trio by Jean Ahn, promises to be an immensely popular piece for contemporary music concerts. Dr. Ahn was influenced by Korean folk lore and poetry, and brings the well-known “Froggy, Froggy …” to life in her 2009 composition adapted in 2013 for piano trio.
Dr. Jean Ahn
From an international call that resulted in more than 50 submissions, Jean Ahn is one of five composers that ISG Publications has chosen to highlight in our new series of chamber music publications, Continually Advancing Music.
Purchase the music on our sheet music sales web site, here.
Patrick Neher’s latest commission is a virtuosic yet playful Romance for Violin and Piano, written for L.P. How, violinist, and Debra Ayers, pianist. – both residents of Santa Fe, New Mexico and internationally acclaimed soloists and chamber musicians. The three-movement composition explores the entire range of both instruments in somewhat jazzy style for the second movement, and in neo-romantic rhapsodic styles for the first and third movements. ISG Publications has rated the work at a Challenge Level of 8-9 (out of 10), being suitable for professional musicians. The work is scheduled to be recorded and premiered in the 2014-15 performance season, by How and Ayers, produced by ISG Music Promotions
For additional information and to buy the sheet music, go to our sheet music site.
Trio ‘Mimi’ for clarinet, violin, and double bass, by Patrick Neher is playfully described as a “mini-operetta.” It combines three character roles (where each player must speak and/or sing a bit – along with skillfully playing their instrument) in a short drama about Mimi, the cat. Trio ‘Mimi’ is in one movement divided into four short acts. The total playing time is about 20 minutes. The piece was composed originally for L.P. How, violin, and Pamela Epple, oboe. It was transcribed for clarinet in 2015 and was premiered at Washington Allegro Vivace Ensemble concerts in Bellingham, WA in 2016, Sarah Brown, clarinet, Yvette Holswarth, violin, and Patrick Neher, double bass. This playful work is a big hit with audiences, as it combines humor and virtuosity is a truly distinctive form. Order it from the double bass in ensemble pages at ISG Publications: isgpublications.com
