Tag Archives: ISG Music

CD – Three Sonatinas for Contrabass

Patrick Neher and Martin Kennedy have just released a new CD album of Neher’s three Sonatinas for Contrabass. This 52 minute album was recorded the second week of March, 2024, and is a sort-of “House Concert.” No AI here! This performance is minimally edited and has the energy (and full-blown human character, sounds, and technical problems) of a live performance! For students of composition and of contrabass, this recording presents a good example of contemporary counterpoint, rhythmical and expressive playing, combined with lyrical, sensitive, and accessible harmonies. Frankly, you have never heard bass playing, nor piano playing like this!!

Martin Kennedy is a well-known and prize winning composer as well as celebrated collaborative and solo concert artist. Patrick Neher, now retired, has traveled the world as a soloist, but is also known for his compositions for modern dance, film, orchestra, and chamber music that features the double bass in prominent roles. Together, these two Juilliard-trained professionals have created a unique and formidable concert CD, that can easily be a reference for virtuosity in performance as well as music composition. This CD is also available by usb2 thumb-drive (no cover art, no “record jacket”).

Soon available on ISG Music’s CD pages.

City Vignettes – Revised 2023

Patrick Neher’s 2008 composition for contrabass flute, double bass and piano, has been revised, re-edited, and arranged for two contrabasses and piano. This jazzy piece has received a face-lift!

After numerous performances and two recordings by the eminent contrabass flute player, Peter Sheridan, Patrick Neher came to the conclusion that the piece could likely be more accessible and would do well arranged for two basses. So, during the pandemic, he revised and re-edit the composition. With a few “tweaks” and some judicious editing, Mr. Neher has released the 2023 version. City Vignettes is now available for two contrabasses and piano, as well as the original composition for contrabass flute, double bass, and piano.

The three movements are: I – Corner Encounter, II – Lunàcité, and III – Block Party. As with many of Patrick Neher’s compositions, very competent players are required, and jazz is the primary genre, but there are many episodes of lyrical contemporary harmonies. This is a wonderful addition to the double bass duet repertory! Please see our contrabass in ensembles page to purchase either version.

AgroDolces trio for violin, cello, piano

Patrick Neher’s latest composition, AgroDolces for piano trio (violin, cello, and piano) is an exciting concert work that explores various ways to define and interpret music, including the feelings of “sweet and sour,” playful and forceful, lyrical and punctual. This virtuoso work was written for Nancy Bean, former Assistant Concertmaster of the Philadelphia Orchestra, and Lloyd Smith, cellist, also formerly with the Philadelphia Orchestra; and it is in four movements: Happy, Bossa, Sara (Andante), and Allegro e giocosa

Purchase this romantic concert work, AgroDolces trio, on ISG’s violin page, cello page, or piano page. The composition will also, soon, be available in PDF format for tablets. Check out our page of sheet music available to download.

Incantation for Viola Second Edition

ISG Publications announces the Second Edition of Patrick Neher’s Incantation for Solo Viola (1991).

This lovely soliloquy has recently been performed by Nancy Bean, violinist/violist formerly with the Philadelphia Orchestra. The performance, Sept. 10, 2023, at the German Society of Pennsylvania, was videoed by Dr. Edmund Cohen.

Hear/See the performance (below)
Incantation for Solo Viola is available on our Viola repertory page.

Incantation for Solo Viola is available on our Viola repertory page.

Double Stop Study No. 2

Patrick Neher’s latest double stop study for contrabass, Double Stop Study no. 2 is now available on the Premiere Pedagogy page and the double bass solos page. This work is intended as an etude but is well suited to performance. (Hear Patrick Neher performing) It is approx. 06:00 minutes in length, and utilizes the entire range of the double bass. It is an expressive work with lots of challenge, on par with college and professional players.

This composition is an elegy, dedicated to continuing the memory of the charismatic, compassionate and talented bassists, Robert Black and David Neubert. These lovely humans were taken from the bass world all too soon. They will be dearly missed.

Two Springtime Arias for basses

Patrick Neher’s new Two Springtime Arias for Two Contrabasses and Piano is now available on our contrabass in ensembles page. (be sure to scroll down the page to find it!)

This lyrical work, written in the spring of 2022, reflects on emotions of hope, sadness, joyfulness, frivolity, and curiousness. It is in two movements: “After Noon’s Lament” and “Reminiscence.” Performance time is just over 13 minutes. The composition is written for accomplished bassists of equal playing ability; amateurs and professionals. It is a good pedagogical piece as well but is designed for performance. The piano part requires a good command of the piano but is not terribly challenging – an accomplished student of accompanying will enjoy the expressive yet co-collaborative nature of the part.

Patrick Neher says; “Two Springtime Arias was written during the world-wide pandemic of Covid 19. When there was a light-at-the-end-of-the-tunnel, in the spring of 2022, I was inspired to compose an uplifting and challenging duet for basses, that expresses hope for a return to adventurousness; hope for a return to questing for knowledge (and shuttering of popular complacency). The duet is to be romantically interpreted with liberal tempo changes and rubato. While playing and working together, bassists will enjoy the comradship combined with feelings of accomplishment that they have created something meaningful… And they will have fun playing toegther!” ~PN, Dec. 2022

Audio Examples: Mvt.1 “After Noon’s Lament” and Mvt.2 “Reminiscence” both examples performed by Patrick Neher but are not intended to be the only “proper” interpretation. We’d like to hear Your Way!

Go to ISG’s contrabass in ensembles page to purchase.

Borodin – Trio in G Major for 2 Vln & Cello

Aleksandr Borodin‘s lovely (no longer “unfinished”) Grand Trio in G Major for two violins and cello (circa 1860), has just been completed and realized this New Year by Patrick Neher. Neher’s compositional addition to the Trio includes a Minuet and Finale, as third and forth movements, making the Trio completed, accessible, and performable!

ISG Publications / ISG Music Promotions has carefully edited and reissued the four movement composition in a clear, easily readable concert score and archival-quality parts format. The parts have sensible page turns ready for your performance (unlike other versions, where three or more pages are required to be spread way out across the stands – ach!). This new publication is also available by PDF for tablets (parts only). The new Grand Trio in G Major is a welcome addition to the two violin and cello repertory, with a performance time of about 27 minutes.

The cello part has been newly revised and edited by Lloyd Smith, formerly with the Philadelphia Orchestra. The violin parts have been edited by Nancy Bean, also a former member of the Philadelphia Orchestra. And, for virtuoso double bass players, ISG Publications has produced a specially edited and transposed contrabass part.

This Special Edition is NOW AVAILABLE for purchase. Purchase the Trio on ISG Publications’ sheet music for violin or music for cello pages. The contrabass alternative to cello, is available (with the complete Trio) on our Contrabass in Ensembles page. PDF license with all Trio parts, but no score, will be available on the Downloadable page (coming soon).

New Bottesini – Never before Published

Two Romantic Songs for Contrabass and Piano by Giovanni Bottesini

ISG Publications is pleased to announce the immediate availability and New Release of Two Romantic Songs for Contrabass and Piano by Giovanni Bottesini. This beautifully printed album of two art-songs from circa 1865, Il Lamento della Ghisa and La Cloche de Village, originally written by Bottesini for voice and piano, has been transcribed, arranged, and edited by Patrick Neher. This exclusive publication is the first time these songs have ever been published for contrabass solo.

If you are a Bottesini enthusiast, or just now beginning to study the music of this great master of 19th century romanticism, you are in for a real treat! Even your teacher doesn’t know about these beautiful tunes! In one album, you can study two fine examples of Bottesini’s craftsmanship. Each song is around four minutes long and encompasses a moderate mid- range for the contrabass, yet is very lyrical and mostly step-wise (without the flashy arpeggios of many of his works). These “entry-level” works are perfect to get started on the vast Bottesini repertory, and if you are an old-hand at Bottesini, you will welcome the fresh new lyricism and charm these pieces offer to be a wonderful diversion from the flash and “bravura” of much of Bottesini’s other works. Hear Patrick Neher perform “Il Lamento…”
and Hear Patrick perform “La Cloche.”

This exclusive publication, which is perfect for students in middle to high school or college, contains one solo contrabass part and two piano parts (one in solo tuning and one in orchestral tuning). PDF License will soon be available for tablets. Please see our contrabass solos page for purchase.

Sextet for Contrabassi

Neher – Merci François, Souviens-Toi! for six double bass players was released in 2018 but is now available in a Second Edition print. This lovely sextet was written for and performed by the faculty of the 2018 Rabbath Institute Los Angeles, organized by Cielito de Jesus (performance video link here – sorry it is from a cell phone so the audio is not high fidelity). It is an original composition of Patrick Neher based on an etude from Francois Rabbath’s Nouvelle Technique pour Contrebass (Leduc), in three lyrical sections, with the middle section being completely “free composed” with no references to the Rabbath etude, then returning to the referenced material to end the piece. This composition is a perfect piece to display the potentially sweet and lyrical qualities of double basses in ensemble. One of Patrick Neher’s formidable compositional skills is writing lyrical music for contrabasses in ensemble. Any level of performer(s) will enjoy this piece!

Be sure to see the video and order the music on the basses in ensembles page of ISG Publications.

Swing Set for Contrabass (2021)

ISG Publications is please to announce the new release of Patrick Neher’s concert etude, Swing Set for Contrabass. As part of our Virtuoso Creation series and our Premiere Pedagogy series, these challenging set of four lyrical etudes can be performed as a short (about 07:00 minutes) concert solo, or can be part of your daily study to facilitate both your technique and musical interpretation skills. There are some “extended techniques” required of the piece, including some humming/singing in pitch.

Patrick Neher’s new piece, Swing Set for Contrabass, is a lyrical and dynamic solo work that can be a wonderful addition to any bass player’s library, but a professional level of performance is required.

Purchase Swing Set for Contrabass on our contrabass page or our pedagogy page.

Giampaolo Bracali – Soliloquy

Second Edition

ISG Publications is please to release the Second Edition of Giampaolo Bracali’s competition solo, Soliloquy. The late Maestro Bracali composed Soliloquy for the 2005 International Society of Bassists Solo Competition, and it was the required new music piece for the competition. Though played by numerous bassists at the time, it seems to have been forgotten. With this issuance, we’d like to remind bassists of this seminal work. It is mostly lyrical and utilizes the entire range of the bass. Though a tad challenging for most bassists, it is a great study piece as well as a deeply thoughtful concert work. The Second Edition is attractively covered and printed with good contrast for your music stand. A PDF version for tablets is also available.

Please see our Contrabass Solos page for more information and purchasing.

Character Suite for Contrabass and Piano

Patrick Neher – Character Suite for Contrabass and Piano, (or for Contrabass Solo, or for Contrabass with another bassist accompanying), is the latest title added to ISG Publications’ Premiere Pedagogy Series of innovative compositions for students and teachers.

Written for Cielito de Jesus and her students, this composition explores four “characters” and how to develop musical personality. The four movements can be performed individually or as a group and total approximately 10:00 minutes. The movement titles indicate the characteristics to develop: Foup and Twils (allegro moderato), Under Dripping Palms (andante), Plumb Foup (allegro), and G’mma’s Waltz (allegro). The solo bassist can perform in orchestral or solo tuning, as both piano parts and accompaniment bassist parts come with both tunings. Hear demonstration recordings of Character Suite on Patrick Neher’s personal web page (click the Book Two tab).

Bassists are encourage to study the pieces with a teacher, and the teacher can play the accompaniment bass part or the piano. But these pieces can also be rewarding to perform solo, with no accompaniment. This innovative way of making music provides potential for spontaneous creativity. In fact, the soloist could specify where he/she wants to be accompanied and by whom – the bassist or the pianist. Fun!

The level of skill required to play these pieces is in the moderate to advanced junior high or high school range, but college students and professionals alike will be challenged to be creative with the material. Thus, the four character tunes are oriented toward multi-skill level, they are listenable, and are especially fun to play!

Purchase Patrick Neher’s new Character Suite at our contrabass solos page.

After Every Man, second edition

Patrick Neher - After Every Man for Clarinet, Violin, Double Bass and Piano

Now Available is the Second Edition of Patrick Neher’s 2016 composition, AFTER EVERY MAN for clarinet, violin, contrabass, and piano. This six movement piece is subtitled “Theatrical Scenes” and is a 27 minute drama describing human emotional terraces. Any one movement can be performed separately but is intended to be together as a whole, dramatic performance. Via the composition, the composer attempts to musically describe and connect the audience with numerous states of deep contemplation and emotion that many humans go through in their life, from “contentment” to “absolution.” Influences of Shostokovich, Stravinsky, and jazz are apparent.

Patrick Neher says; “The piece announced itself, and I heard the themes in a very vivid dream that I had one night in the Spring of 2016. I awoke and wrote down the themes as fast as possible!”

The piece is available with full piano score, clarinet, violin and contrabass parts. See the Contrabass in Chamber Music page for purchase.

NEW RELEASE: Affinità Ferrose – Michele Bernabei

The third composition in our new performance music series, Continually Advancing Music (CAM) is Affinità Ferosse for Piano Trio by young Italian composer Michele Bernabei. Affinitá ferrose is loosely translated into English as “an affinity for iron” or “magnetic attraction.” The music is energetic and very dynamic with challenge of a moderate nature for all instruments. Some “extended techniques” are used, but in general it is the interesting rhythms, dynamic range, pitch range, and counterpoint that the listener will find compelling and attractive (just like iron to a magnet)! The piece is not very long and the composer states that it’s drama fits well at the end of a contemporary music performance, as the finale or as an encore. ISG Publications is excited to publish the work as a wonderful new addition to the piano trio repertory.

Michele Bernabei is an accomplished jazz trumpet player and composer. He earned a BM in trumpet at the Conservatory “N.Paganini” of Genoa and an MM degree with full marks in jazz arranging and composition at the Conservatory “G. Verdi” of Turin, Italy. He studied composition at the Conservatory of Turin with Giorgio Colombo Taccani and in parallel at the “Scuola di Alto Perfezionamento Musicale” of Fiesole with Fabio Vacchi. At the same time he received the ABRSM diploma in String Orchestra Direction under the guidance of Fabrizio Dorsi. His compositional language is influenced both by jazz, improvised music, and the theater.

Purchase the SHEET MUSIC here.

NEW RELEASE for Bass Duet

Patrick Neher – April in G for Contrabass Duet

  • Neher - April in G bass duet
    Cover
  • Score and parts

April was supposed to be a beautiful month of creative endeavors, concerts, and flowering trees. Instead it is a bit dreary – never the less, Patrick Neher has composed a wonderfully fun duet for double bass players, April in G. The composition uses the entire range of the bass (of course) and explores passionate lyricism, virtuosic technique, and expansive chordal textures. The piece is truly fun to play and to listen to, but requires a professional skill level of playing (or of those aspiring to be professional).

A challenging and fun new duet for the repertory, April in G is ready to be performed when we start going to concerts again.

Purchase the sheet music (basses in ensembles) here.

NEW RELEASE: Jean Ahn – Froggy, Froggy for Piano Trio

Jean Ahn’s “Froggy, Froggy” for Piano Trio

The second new composition in our Continually Advancing Music Series; Froggy, Froggy for Piano Trio by Jean Ahn, promises to be an immensely popular piece for contemporary music concerts. Dr. Ahn was influenced by Korean folk lore and poetry, and brings the well-known “Froggy, Froggy …” to life in her 2009 composition adapted in 2013 for piano trio.

Jean Ahn composer
Dr. Jean Ahn

From an international call that resulted in more than 50 submissions, Jean Ahn is one of five composers that ISG Publications has chosen to highlight in our new series of chamber music publications, Continually Advancing Music.

Purchase the music on our sheet music sales web site, here.

ISG Publications Announces New Series of Compositions for Professionals: CAM

CONTINUALLY ADVANCING MUSIC (CAM)

ISG Publications / ISG Music Promotions’ new series of sheet music and productions for professional performers, Continually Advancing Music (CAM) will, for the next decade, support composers by publishing works that advance the cause of new music for cellists and double bass players. During this premiere set of publications, we are promoting new music from five living composers. After an international call to composers, where we received more than 50 submissions from around the world, we have chosen five compositions that fit our criteria of: must have one cello or one double bass that plays a prominent role in the composition, must be interesting and challenging to all the performers, must hold the interest and be accessible for today’s new music concert audiences, must be lyrical, and must be marketable (in our opinion).

The five composers chosen for this premiere set are:
Donald Wheelock (USA) – String Trio (2003/2019)
Jean Ahn (USA) – Froggy, Froggy for Piano Trio (2009/2013)
Michele Bernabei (ITALY) – Affinita Ferrose for Piano Trio (2019)
Randall Snyder (USA) – Forest Paths for String Trio (2018)
Richard Heller (GERMANY) – Statement for String Trio (2003)

ISG Publications / ISG Music Promotions wishes to thank all the composers that submitted to our call. Though we are unable to publish more than five compositions at this time, we hope to advance the series for another decade with up to 20 compositions. This exclusive series will expand to include greater instrumentation and media, but will always keep focused on presenting the finest (in our opinion, of course) of new music compositions; providing challenge for our performers and accessibility and interest for our listeners.

ISG Publications Launches New Web Site

Our new web site: ISG Publications / ISG Music Promotions has just been launched! See the new look at: https://isgpublications.com or https://isgmusic.com.

This new look and organization makes it easier for users to review and purchase our exclusive sheet music and recordings. It has been a long time since the site was updated and the update allows for easier perusal of our titles. More detail about our composers, and more detail about each composition is provided. And we will be adding more and more previews or example performances. Finally, we will be adding more PDF, downloadable titles over the next few months (saves on shipping costs and can be printed at home. If you use an iPad for performance – our PDF downloadable sheet music is perfect!)

If you are one of our composers, please contact us. We need to update your biography and contact information. Email us at info@isgpublications.com

Trio ‘Mimi’ for clarinet, violin, & double bass

mimi1Trio ‘Mimi’ for clarinet, violin, and double bass, by Patrick Neher is playfully described as a “mini-operetta.”  It combines three character roles (where each player must speak and/or sing a bit – along with skillfully playing their instrument) in a short drama about Mimi, the cat. Trio ‘Mimi’ is in one movement divided into four short acts.  The total playing time is about 20 minutes. The piece was composed originally for L.P. How, violin, and Pamela Epple, oboe. It was transcribed for clarinet in 2015 and was premiered at Washington Allegro Vivace Ensemble concerts in Bellingham, WA in 2016, Sarah Brown, clarinet, Yvette Holswarth, violin, and Patrick Neher, double bass. This playful work is a big hit with audiences, as it combines humor and virtuosity is a truly distinctive form. Order it from the double bass in ensemble pages at ISG Publications: isgpublications.com

Findeisen “Nixenreigen Fantasie”

Theodor Albin Findeisen (1881-1936) wrote Nixenreigen Fantasie, for double bass and piano, around 191Findeisen-Portrait0-1912, and the work is his Opus 9. Dr. Robert Matheson, bassist, composer, arranger, and professor has brought this and other works of Findeisen to light in his doctoral thesis.  Dr. Matheson has chosen ISG Publications to disseminate Findeisen’s compositions, that have been out of print or were never published.

Findeisen’s music represents the only compositions for solo double bass from the early twentieth century’s compositional style akin to Richard Strauss or early  Schoenberg. It is rich, full, romantic, and challenging, with full use of chromaticism and counterpoint.

“Nixenreigen” is based on a poem that tells of a musician’s walk home one night through the woods, when met by fairies frolicking about and dancing to his music. To have the double bass play the lead role in this story is quite a feat in itself. The entire range of the instrument is utilized in the composition, and even though the lyricism is beautiful, it is a wonderful technical challenge for any student or professional bassist.

ISG Publications is proud to present this newly published composition.