ISG Publications announces the Second Edition of Patrick Neher’s Incantation for Solo Viola (1991).
This lovely soliloquy has recently been performed by Nancy Bean, violinist/violist formerly with the Philadelphia Orchestra. The performance, Sept. 10, 2023, at the German Society of Pennsylvania, was videoed by Dr. Edmund Cohen.
Hear/See the performance (below) Incantation for Solo Viola is available on our Viola repertory page.
Incantation for Solo Viola is available on our Viola repertory page.
ISG Publications announces the Second Edition of Patrick Neher’s Character Waltzes for Double Bass and Piano.This work, composed in 2014, is approximately 10-12 minutes and is four lyrical and short waltzes based on theatrical characters (there are “Izia”, “Marco”, “Frankie”, and “Josephine”).
The level of challenge is rated at 8 (out of 10) for the composition’s use of the entire range of the double bass and having challenge equal to a professional bassist’s ability. See a video performance, for more information, samples, and ordering information, please head over to our music for contrabass page. For more information on Patrick Neher and his compositions, please click here.
ISG Publications / ISG Music Promotions is dedicated to publishing, presenting, and promoting today’s composers of music for double bass, cello, strings, and other instruments in combinations and solos that provide challenge for the player and lyrical yet contemporary accessibility for audiences.
Camil Van Hulse’s short and spirited work; Sonatine-Etude pour contrebasse solo, has been given a face-lift. ISG Publications is please to offer the Second Edition of this popular bass solo. The work has been composed quite idiomatically for the double bass, even though Camil Van Hulse was not a bassist. The work is a perfect choice as an introduction to American contemporary classical music for bass students of all ages. Be sure to listen to the audio examples. The piece is a lot of fun to play!
Camil Van Hulse, was born in Belgium in 1897 and died in Tucson, Arizona, in 1988, after a lengthy career in music, particularly symphonic direction and opera composition. Though not a bass player, Camil wrote the composition, Sonatine-Etude, after hearing the incomparable Gary Karr performing works of Bottesini on the local classical music radio station. Sonatine-Etude is both lyrical and technically challenging, yet surprisingly, it is written quite idiomatically for the bass. Camil’s knowledge of orchestration is evident and the piece is a welcome addition to the repertory.
Purchase the sheet music on our contrabass page. PDF license is available for tablets.
ISG Publications is please to release the Second Edition of Giampaolo Bracali’s competition solo, Soliloquy. The late Maestro Bracali composed Soliloquy for the 2005 International Society of Bassists Solo Competition, and it was the required new music piece for the competition. Though played by numerous bassists at the time, it seems to have been forgotten. With this issuance, we’d like to remind bassists of this seminal work. It is mostly lyrical and utilizes the entire range of the bass. Though a tad challenging for most bassists, it is a great study piece as well as a deeply thoughtful concert work. The Second Edition is attractively covered and printed with good contrast for your music stand. A PDF version for tablets is also available.
Please see our Contrabass Solos page for more information and purchasing.
And ISG has reissued Bottesini’s Introduction and Gavotte. The Second Edition provides this popular work with both solo tuning and orchestra tuning piano parts. Carefully edited, this edition is a reflection of the recordings and live performances of Patrick Neher.
Purchase the Second Edition of Bottesini Melodia #2 and Bottesini’s Introduction and Gavotte from ISG’s contrabass solos page.
ISG Publications is pleased to release the Second Edition of Five Romantic Pieces for Contrabass and Piano by Luigi Negri (written circa 1885). These popular pieces, originally and exclusively published by ISG Publications in 2005, and edited by Remo Ricci, have had a face-lift, with a new cover and spiral bound piano part (piano part available for contrabass in orchestral or solo tuning), for easier placement on the piano music stand. In addition, the pages are now the Euro-standard size of 9″ x 12″ (verses our FIrst Edition 10″ x 13″) again, making the sheet music a bit less cumbersome, and easier for us to produce the covers in full color! Both parts have the original title pages reproduced so that the players can be inspired by the hand-written title pages of the 19th century! One final upgrade, all five pieces of Luigi Negri are available in one album. Purchase of the individual pieces will be available until stock is exhausted. After that, only the album of five pieces will be available.
Much like the music of Giovanni Bottesini, Luigi Negri also adapted many opera tunes of his day, for contrabass. Negri was a student of the same teacher as Bottesini, and was well known in his time for his virtuoso performances and inspiration teaching. For many bassists, the music of Negri is more accessible and welcome diversion from that of Bottesini.
ISG Publications is the sole world-wide publisher of these five romantic pieces: Capriccio “Rigoletto”, Fantasia “Sonnambula”, Capriccio “Alisir d’Amore”, Fantasia “Poliuto”, and Reminiscenze “Stabat Mater” (original vocal works by Donizetti, Bellini, Verdi, and Rossini)
For Purchase go to the Contrabass Solos page of ISG Publications
The Second Edition of the popular Bottesini Seven Romantic Songs is now available in clean and beautiful print. We gave the pieces a new cover and reduced the page size a tiny bit, to fit into the standardized “folio” size of sheet music (9″ x 12″). It will reside on your music stand more securely, and page turns are a bit easier.
The Second Edition automatically comes with a wonderful performance CD. During the early 2000s, these songs were performed numerous times by Patrick Neher (bass), Betty Allen (soprano), and Suzanne Knosp (piano). The CD reflects years of consideration and is now considered a “classic” interpretation of the works.
