Patrick Neher’s latest double stop study for contrabass, Double Stop Study no. 2 is now available on the Premiere Pedagogy page and the double bass solos page. This work is intended as an etude but is well suited to performance. (Hear Patrick Neher performing) It is approx. 06:00 minutes in length, and utilizes the entire range of the double bass. It is an expressive work with lots of challenge, on par with college and professional players.
This composition is an elegy, dedicated to continuing the memory of the charismatic, compassionate and talented bassists, Robert Black and David Neubert. These lovely humans were taken from the bass world all too soon. They will be dearly missed.
The third composition in our new performance music series, Continually Advancing Music (CAM) is Affinità Ferosse for Piano Trio by young Italian composer Michele Bernabei. Affinitá ferrose is loosely translated into English as “an affinity for iron” or “magnetic attraction.” The music is energetic and very dynamic with challenge of a moderate nature for all instruments. Some “extended techniques” are used, but in general it is the interesting rhythms, dynamic range, pitch range, and counterpoint that the listener will find compelling and attractive (just like iron to a magnet)! The piece is not very long and the composer states that it’s drama fits well at the end of a contemporary music performance, as the finale or as an encore. ISG Publications is excited to publish the work as a wonderful new addition to the piano trio repertory.
Michele Bernabei is an accomplished jazz trumpet player and composer. He earned a BM in trumpet at the Conservatory “N.Paganini” of Genoa and an MM degree with full marks in jazz arranging and composition at the Conservatory “G. Verdi” of Turin, Italy. He studied composition at the Conservatory of Turin with Giorgio Colombo Taccani and in parallel at the “Scuola di Alto Perfezionamento Musicale” of Fiesole with Fabio Vacchi. At the same time he received the ABRSM diploma in String Orchestra Direction under the guidance of Fabrizio Dorsi. His compositional language is influenced both by jazz, improvised music, and the theater.
