19th century

New Bottesini – Never before Published

Two Romantic Songs for Contrabass and Piano by Giovanni Bottesini

ISG Publications is pleased to announce the immediate availability and New Release of Two Romantic Songs for Contrabass and Piano by Giovanni Bottesini. This beautifully printed album of two art-songs from circa 1865, Il Lamento della Ghisa and La Cloche de Village, originally written by Bottesini for voice and piano, has been transcribed, arranged, and edited by Patrick Neher. This exclusive publication is the first time these songs have ever been published for contrabass solo.

If you are a Bottesini enthusiast, or just now beginning to study the music of this great master of 19th century romanticism, you are in for a real treat! Even your teacher doesn’t know about these beautiful tunes! In one album, you can study two fine examples of Bottesini’s craftsmanship. Each song is around four minutes long and encompasses a moderate mid- range for the contrabass, yet is very lyrical and mostly step-wise (without the flashy arpeggios of many of his works). These “entry-level” works are perfect to get started on the vast Bottesini repertory, and if you are an old-hand at Bottesini, you will welcome the fresh new lyricism and charm these pieces offer to be a wonderful diversion from the flash and “bravura” of much of Bottesini’s other works. Hear Patrick Neher perform “Il Lamento…”
and Hear Patrick perform “La Cloche.”

This exclusive publication, which is perfect for students in middle to high school or college, contains one solo contrabass part and two piano parts (one in solo tuning and one in orchestral tuning). PDF License will soon be available for tablets. Please see our contrabass solos page for purchase.

New Release Pedagogy – Negri Two Studies

LUIGI NEGRI was a not-so-famous bassist of the 19th century. Born in 1837, he managed to make a name for himself even though overshadowed by Giovanni Bottesini. As a former student of Bottesini’s teacher, Luigi Rossi, and as successor to the head of the conservatory in Milan, he had a fair number of bass students and produced numerous compositions and etudes.

These two studies, Gran Studio no.1 and Studio no. 24, are from a compilation of studies that Negri produced around the year 1862. The book consisted of mostly violin studies (by such teachers as Kreisler), adapted by Negri for bass. But the two published here by ISG Publications are his original compositions and deserve to be re-published. They give us insight into the demands of bassists at the time – when Donizetti, Puccini, and Verdi were writing operas with very challenging (sometimes) bass parts!

Though not the most inspired of compositions, bassist will today be mightily challenged by these two studies, to play in the 19th century opera buffa style and Play in Tune!! You can obtain your copy of these two studies of Luigi Negri at our Pedagogy Page or our solo contrabass compositions page.