Tag Archives: Neher

Borodin – Trio in G Major for 2 Vln & Cello

Aleksandr Borodin‘s lovely (no longer “unfinished”) Grand Trio in G Major for two violins and cello (circa 1860), has just been completed and realized this New Year by Patrick Neher. Neher’s compositional addition to the Trio includes a Minuet and Finale, as third and forth movements, making the Trio completed, accessible, and performable!

ISG Publications / ISG Music Promotions has carefully edited and reissued the four movement composition in a clear, easily readable concert score and archival-quality parts format. The parts have sensible page turns ready for your performance (unlike other versions, where three or more pages are required to be spread way out across the stands – ach!). This new publication is also available by PDF for tablets (parts only). The new Grand Trio in G Major is a welcome addition to the two violin and cello repertory, with a performance time of about 27 minutes.

The cello part has been newly revised and edited by Lloyd Smith, formerly with the Philadelphia Orchestra. The violin parts have been edited by Nancy Bean, also a former member of the Philadelphia Orchestra. And, for virtuoso double bass players, ISG Publications has produced a specially edited and transposed contrabass part.

This Special Edition is NOW AVAILABLE for purchase. Purchase the Trio on ISG Publications’ sheet music for violin or music for cello pages. The contrabass alternative to cello, is available (with the complete Trio) on our Contrabass in Ensembles page. PDF license with all Trio parts, but no score, will be available on the Downloadable page (coming soon).

Adding Audio and Video Examples

October 2022: Our goal is to add new audio and/or video examples to all our titles in the sheet music catalog. Over the next year or so, we hope to provide good quality examples of performances of our publications. That way you can sample the music a bit, before adding the sheet music to your library. The most recent additions are Bottesini two pieces for double bass and piano; Il Lamento … and La Cloche… We have also added performances of Neher’s The Frog Prince Continued… and Mucumber McGee and the Half Eaten Hot Dog – both are fun and kind-of silly children’s opera, for two singers, double bass and violin or piano. Based on popular children’s books, these two operetta’s have been performed extensively.

Findeisen “Nixenreigen Fantasie”

Theodor Albin Findeisen (1881-1936) wrote Nixenreigen Fantasie, for double bass and piano, around 191Findeisen-Portrait0-1912, and the work is his Opus 9. Dr. Robert Matheson, bassist, composer, arranger, and professor has brought this and other works of Findeisen to light in his doctoral thesis.  Dr. Matheson has chosen ISG Publications to disseminate Findeisen’s compositions, that have been out of print or were never published.

Findeisen’s music represents the only compositions for solo double bass from the early twentieth century’s compositional style akin to Richard Strauss or early  Schoenberg. It is rich, full, romantic, and challenging, with full use of chromaticism and counterpoint.

“Nixenreigen” is based on a poem that tells of a musician’s walk home one night through the woods, when met by fairies frolicking about and dancing to his music. To have the double bass play the lead role in this story is quite a feat in itself. The entire range of the instrument is utilized in the composition, and even though the lyricism is beautiful, it is a wonderful technical challenge for any student or professional bassist.

ISG Publications is proud to present this newly published composition.